Neumann TLM 103's are everywhere & they sound very good. In my experience, it’s quite possible to EQ out the brightness of TLM103 to suit long reads. I still stand by what I said: the TLM 103 is great on short-form, dynamic material and the 103 is an easier listen on the longer stuff. The 193 is definitely more “reigned-in” at the top end than the 103, which I’d expected by looking at the frequency response graphs on the Neumann website. Neumann TLM 103 vs. the TLM 193. Fortunately such arseholes – and such mobile bass rigs – are rare, even in my corner of South London, so this isn’t, in itself, enough to sway me on the subject. Adding in the EQ stage also adds some noise, though, and the 737’s already noisier than the preamp in the Focusrite Voicemaster Pro, so I’m inclined to leave well alone. Three suitably different scripts which would get me some different results. In the end I plumped for the TLM 103, and I must say I’ve been very happy. The TLM 103 I bought cost me £700 in a bundle with the EA-1. Yeah, I figured that the extra money on the Nuemann wouldn't be as noticable, but i do want that Neumann "wow" to help with the business side of things. Two days later my new microphone turned up and I set to work doing some objective tests to see how they sounded and which I preferred. The TLM 193 is currently available – from online retailers – for between £1,000 and £1,150, so we’re not talking pin money here. But is the difference enough for you to pick a favourite if you heard it solo? Microphone Shootout-Blue Kiwi,AKG C-414,Neumann TLM 193,Neumann TLM 193,Shure SM-58, Affordable LDC Microphone With Multiple Voicings. Change ), You are commenting using your Facebook account. The frequency response charts on those mics reinforce what your saying about them, but its always good to hear it from somebody who's actually used im. The 193 also picked up mains hum being transmitted through vibration in my rig to begin with, and I had to dampen the mic support to avoid this being noticeable to my ears. If I understand what you mean by "spitty," its something i have and want to get rid of. (Even I’ll gleefully admit that I’m “doing the recession” on this one.). With this in mind I constructed an objective test, and read a few short script excerpts on each mic in turn, without making any other changes to my setup, which is a Focusrite Voicemaster Pro with digital ADC, feeding directly into an M-Audio Delta 66 soundcard on my PC. While both condenser microphones are outstanding, the almost double-price for the TLM-103 is warranted, for its fuller, richer bass response, and crisper, airier high frequencies. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. I was interested to notice straight away that this element was gone. With the 103 I’d felt this kind of low frequency noise from time to time more than was apparent on the playback, but on the 193’s waveform there it was: thump… thump… thump. Suddenly there was a “presence” and warmth to my voice that hadn’t been so apparent with the 103. My first microphone – the Audio Technica AT 4040 – cost £200 when I bought it two summers ago, and is now on sale from the same retailer at a breathtaking £363, which means that I’m now in the position to be able to sell mine for more than I paid for it. As you know, the TLM103 has a high shelf starting @ 5kHz boosted by 4db. I now have an Avalon 737 in my rig, which does indeed give me the opportunity to add a touch of EQ. Back in December I decided that my Christmas treat to myself would be a new microphone. It’s never unpleasant on playback, but while it’s great when I’m doing radio commercials, it can become a bit, well, “fatiguing” in my cans on a long read. This is a really useful feature of eBay, if you haven’t used it, whereby you get an email alert every time someone lists the thing you’re looking for. choices, choices. Thanks all. The lows may not go quite so low, but there’s a touch more warmth and presence to the recordings, whereas the 103 has a touch more punch and brightness. […] on my mind, with a new microphone to try out (the Neumann TLM 193, which I compared to the TLM 103 on my blog) and I recently invested in an Avalon 737 microphone preamp, with which I’ve been very happy […]. ( Log Out /  What sort of differences are there between the Neumann TLM-103 and the TLM-193? Hey there! Posted by MikeCooper on September 19, 2009. Thanks for taking the time to read and comment. If I’d wanted to pick up a 193 in December 2008, I could have done so for about £800. What do you use it for? Secondly, though headphones are great at getting you so close to the recording that you can hear every distracting click, pop or mouth noise (that’s why I insist on using them), they rarely sound the same as a set of studio monitor speakers (and those that do generally lack the amount of low end “tilt” that gives us VOs confidence in the booth). For the purposes of the exercise I read a piece of TV continuity for the History Channel, part of a training script, and a typical 20″ radio commercial offering to add a conservatory to your home at a low, low price. Whereas the voice tracks are both “normalised” to -3dB, the noise floor track is as it comes, straight out of the preamp. The differences between the two are small but significant, and on one or two occasions where I’ve had to go back and revisit material for recuts, that’s become very apparent. But of course, we can’t trust everything we hear in our headphones now, can we? If I tell you I picked mine up on eBay for £550, bundled with an EA-1 shockmount (normally an extra £150 or so on top), you’ll appreciate that this was one of those deals that was too good to miss, even if I came to sell it on again myself. Posted by MikeCooper on September 19, 2009. But extended listening began to endear the mic to me. Early October update | Mike Cooper - Voiceover Artist, Decided I wanted poached eggs for my late lunch. When you buy products through links across our site, we may earn an affiliate commission. I enjoyed listening to the samples. eBay did me proud again this week and offered up an Avalon VT-737SP. My initial thought was that it sounded “splashy” where the 103 was clean and shiny, and that there was less “punch” at the low end. “I am Spartacus!” (or what happens when everyone talks at once…), Christmas is coming… 10 Things all VO’s Should Do in December, Friday Fun – Andy Marriott and the Central tea tray…, Friday Fun – Orson Welles and the frozen peas. What were the results of all this? I also recorded the output of the mics when I wasn’t talking – what we refer to as the “noise floor”. You can download a ZIP file of the clips I made from my website here. Thanks for taking the time to post your findings. Mixing Engineer. The TLM 103 is an alluring beast: it’s crisp and clean and that extended LF is very appealing to a VO like myself (!) Back in December I decided that my Christmas treat to myself would be a new microphone. I've got both of those mics here in my project studio. Fill in your details below or click an icon to log in: You are commenting using your account. Why can’t we trust what we hear in our headphones? Best Regards! Acoostic Zoo Recording Studio. In the coming weeks I hope to move it to my own web hosting and do some more interesting stuff with it. I haven’t regretted the 193 one bit. You can leave a response, or trackback from your own site. And thanks, littledog, about the spittyness comment. You can follow any responses to this entry through the RSS 2.0 feed. I wanted a Neumann of some description, but was having trouble making up my mind which one. In short, it’s been an expensive lesson in why sound engineers keep cupboards full of mics for different applications, and I now have to caution myself against “trying out” any more, just in case this turns into an expensive hobby. My wife has a sibilant voice that I would like to tame with the TLM 193 but I also like the TLM 103 for myself… ggrrrrr…. It’s “deep”, and “crisp” (if not particularly “even”) whereas I’ve just recorded a two-hour audio CD and really appreciated the 193 – both in my headphones while recording, and when editing, due to its nature of being a “smooth operator”.

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